At a London event, Fujifilm took the wraps off of the much-leaked X100V, and it packs more power than ever into that famously compact form. It’s equipped with the 26.1-megapixel backside illuminated X-Trans 4 CMOS sensor (used in the X-T3 and X-Pro3), along with the latest X-Processor 4, boosting shooting speed, resolution and low-light capability. That’s ideal for the street photographers who love this series, but with new video and other powers, it’s much more versatile than ever.
Thanks to the new sensor and processor, the X100V can shoot at around 11 fps with continuous AF enabled (20 fps in electronic shutter mode), compared to 8 fps for the last model. At the same time, it brings over the 429-point hybrid phase- and contrast-detect AF system from the X-T3 and X-Pro3. That also means you get face and eye detection and other subject tracking features the X100F lacked (and that are so handy on a street photography camera).
The new sensor demands better optics, so the X100V has a new 23mm f/2.0 fixed lens. Fujifilm said it’s designed for “higher resolution, lower distortion and improved close focus performance.” At the same time, it’s the same size as the old lens and compatible with Fujifilm’s existing wide WCL-X100 II and telephoto TCL-X100 II conversion lenses. Fujifilm also boosted the internal neutral density (ND) filter to four stops, up from three, making it easier to shoot in bright sunlight.
Perhaps the greatest boon for street photographers is the new two-way articulating display. It’s the same as the one on the X-T3, letting you tilt the screen up and sideways so that you can shoot from the hip both in portrait or landscape mode. (It’s hard to believe that the X100F lacked that feature, but then again, it didn’t seem to detract from that model’s popularity.) It also has a higher resolution 1.62 million dot display, compared to 1.04 million dots on the X100F.
Fujifilm has also improved the hybrid viewfinder a bit. The optical rangefinder-style viewfinder still has a 0.52 magnification factor, but now covers a bit more of the frame. You still get EVF picture-in-picture and an electronic overlay that shows focus peaking, shooting data and more. The biggest improvement is with the EVF, which is now a higher-resolution 3.69 million dot OLED, compared to 2.36 million dots before.
The X100V now has 17 film simulations, two more than before, including Eterna and Classic Negative. Up until now, the latter has been exclusive to the X-Pro3. All the simulations work in both photo and video mode.
Speaking of which, the X100V has pretty stunning video powers for a compact camera. It can not only shoot 4K at up to 30 fps, but do it with 10-bits of color via the external HDMI port. I’m not sure who would be using a camera like this to capture 4K in such detail, but it’s nice to know you can. If you need slow-mo, 1080p is available at up to 120 fps.
Fujifilm has cleaned up the design on the X100V, killing off the D-pad and leaving just a joystick for focus point and menu control. While fewer controls might seem bad, I found that the X-Pro3’s simplified layout made it easier to use. The new model gains a USB-C 3.1 port, which should make data transfers quicker. Battery life also rises to 350 shots compared to 270 with the EVF, or 420/390 using the OVF. The single-slot storage, alas, only supports slower UHS-1 type cards, which might limit the number of shots you can take in a burst.
The X100V is expensive for a compact, but Fujifilm has certainly increased the value over the last model with numerous improvements. It’ll arrive in late February 2020 for $1,400.
We’ll be adding some hands-on impressions soon!